Werden Sie ein Teil von denen, die lieben dieses Buch zu lesen. Wenn Sie die Anfänger Zuschauer sind, können Sie diese Publikation als Lockmittel für Sie minimal Liebe Lesen verwenden. Auch dieses Buch von einem Experten Schriftsteller geschrieben wird, es bedeutet nicht, dass Worte extrem schwer zu begreifen. Sie können einige Lektionen nehmen und auch Erfahrungen aus Crashed: How A Decade Of Financial Crises Changed The World, By Adam Tooze auf das, was Sie brauchen. Dies ist, was als Vorteile Buch ruft durch Analyse. Derzeit erhält dieses Buch hier und jetzt. Es wird sicherlich in dem Website-Link, um zu sehen serviert werden.
Crashed: How a Decade of Financial Crises Changed the World, by Adam Tooze
Quellen nötig? Von jeder Art von Art von Führer? Der Versuch, Crashed: How A Decade Of Financial Crises Changed The World, By Adam Tooze Dieses Buch können Sie die Ideen liefern für Ihre Verantwortlichkeiten nieder? kurzes Zieldatum zu bekommen? Rätseln Sie noch die neuen Ideen in zu bekommen? Dieses Buch wird ständig für Sie angeboten werden. Ja, natürlich, wird diese Zugänglichkeit sorgt sich um das gleiche Thema dieses Buchs. Wenn Sie wirklich die Konzepte erfordern dieser ähnlichen Thema verbunden sind, könnten Sie nicht für verschiedene andere Quelle suchen verwirrt werden müssen.
Pressestimmen
A landmark book (Observer)One of the sharpest minds in this field (Evening Standard)A detailed and superbly researched account of the origins and consequences of the wave of financial crises that emanated from the core of the global financial system from 2007. The prose is clear. The scholarship remarkable. Even people who have followed this story closely will learn a great deal. (Martin Wolf Financial Times)Magisterial (Guardian)Deserves to be at the top of the reading list of anyone interested in the events of 2008 ... A majestic narrative ... informative and often delightful, insights are to be found on every page (Yanis Varoufakis Observer, Book of the Day)The global financial crises were undoubtedly seismic - and Tooze has provided a remarkably detailed narrative of their causes and consequences (Sunday Times)Skilful ... A bold attempt by Adam Tooze, a distinguished British-American historian, to make sense of this recent tumult ... Sophisticated. (Evening Standard)Bold and ambitious . . . probably the best of the current books about the First World War (Praise for THE DELUGE Observer)Tooze made his name with The Wages of Destruction . . . His study of the post-1918 era is equally impressive, explaining why the US and its allies, having defeated Germany, were unable to stabilize the world economy and build a collective security system in Europe (Praise for THE DELUGE, Tony Barber Financial Times BOOKS OF THE YEAR)
Über den Autor und weitere Mitwirkende
Adam Tooze is the author of the highly praised The Deluge and The Wages of Destruction, both published by Allen Lane. The Wages of Destruction won the Wolfson Prize for History and the Longman-History Today Book of the Year Prize. He has taught at Cambridge and Yale and is now Kathryn and Shelby Cullom Davis Professor of History at Columbia University.
Produktinformation
Taschenbuch: 720 Seiten
Verlag: Penguin (6. Juni 2019)
Sprache: Englisch
ISBN-10: 0141032219
ISBN-13: 978-0141032214
Größe und/oder Gewicht:
12,9 x 3,1 x 19,8 cm
Durchschnittliche Kundenbewertung:
5.0 von 5 Sternen
4 Kundenrezensionen
Amazon Bestseller-Rang:
Nr. 3.785 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
Das Buch erfasst sämtliche Geschehnisse, die mit der Finanzmarktkrise im Zusammenhang stehen und Teil der Ursachen sind. Es werden unglaublich viele Hintergründe dargelegt, die man in dieser Fülle noch nirgendwo anders gefunden hat und die für den Außenstehenden sehr hilfreich sind, um die Ereignisse im Kern besser zu verstehen und zumindest im Nachhinein besser nachvollziehen zu können. Eine ziemlich offene und sehr umfassende Analyse, die für jeden Interessierten extrem hilfreich ist!
Excellent. Very interesting, well researched and very well written. Fills gaps left by the vast number of books written on the "2007-09 Financial Crisis". Very useful for people well versed in economics, finance and history as well as for laymen.
Ein hervorragendes sehr gut recherchiertes Buch. Unbedingt zu empfehlen - aber nur fuer einen fachlich vorgebildeten Leser, dem das Thema schon bekannt ist. Dem Autor kann sehr gratuliert werden fuer diese Leistung !
Lesenswert
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Wenn Sie wirklich es als Quelle benötigen, können Sie es zur Zeit zu finden und unten, auch durch den Web-Link zu finden, können Sie sie besuchen und beginnen, es zu erhalten, indem in Ihrem PC-System Gadget Erhaltung oder andere Gadget verlagern. Indem sie den Web-Link, erhalten Sie, dass die Soft-Dokumente Divine Utterances: The Performance Of Afro-Cuban Santeria, By Katherine J. Hagedorn wirklich vorgeschlagen werden, ein Teil Ihrer Hobbys zu sein. Es ist klar und wunderbar ausreichend Sie wirklich sehen so erstaunlich fühlen Guide zu lesen.
Divine Utterances: The Performance of Afro-Cuban Santeria, by Katherine J. Hagedorn
Der Erfolg lässt sich durch Verfahren begonnen werden. Eines der Verfahren, die sehr unmittelbar und entscheidend sind, ist von Publikationen heraus überprüfen. Warum lesen sollte? Auschecken wird man die einfachsten Mittel, um das Wissen zu bekommen, um das Experiment zu verbessern, sowie die Inspirationen frei zu erhalten. Anleitung, die lesen müssen, sind zusätzlich verschiedene. Es wird jedoch von den Instanzen ab, die sich auf Sie beziehen.
Dieses Buch ist in Soft-Copy-Datei leicht verfügbar, die von Ihnen besessen werden kann. Reviewing-Liebhaber, haben viele Menschen die Analyseaufgabe dort am frühen Morgen Tag. Es ist, als die Art, den Tag zu beginnen. Irgendwann, in ihrer zwölf Uhr mittags, werden sie ebenfalls genießen das Magazin zu lesen. Haben Sie begann, das Buch zu genießen bewerten? Divine Utterances: The Performance Of Afro-Cuban Santeria, By Katherine J. Hagedorn als einer der genannten Publikationen können genau Ihre Wahl verbringen Sie Ihre Zeit oder Freizeit sein. Sie werden nicht sollten verschiedene andere unnütze Aufgaben zu öffnen oder den Moment zu nutzen.
Wenn Sie die Tatsache zu erhalten viele Informationen aus der Lektüre dienen kann, warum sollte man es ignorieren? Viele erfolgreiche Menschen ebenso sind Erfolg von zahlreichen Bücher zu überprüfen. Vom Buch bis zur Veröffentlichung so viele waren fertig, es ist unzählbar. Und auch diese Divine Utterances: The Performance Of Afro-Cuban Santeria, By Katherine J. Hagedorn ist derjenige, den Sie überprüfen müssen. Auch Sie sind Starter zu lesen, wird diese Veröffentlichung wird ebenfalls so nützlich zu beschäftigen. Nach der Analyse Abschluss Nachricht die Lehre und auch die können enthalten ist schnell zu erreichen. Dies ist nur einer der besten Anbieter Veröffentlichung sein sollte.
Reduzieren der Sprache sowie einfache Arbeiten die Gründe vieler Menschen begreifen werden versuchen, dieses Buch zu bekommen. Wenn Sie noch mehr über Divine Utterances: The Performance Of Afro-Cuban Santeria, By Katherine J. Hagedorn entdecken möchten, können Sie sehen, dass der Autor ist, wer die Person, die das Buch geschaffen hat, ist. Diese werden viel schöner sein. Aus diesem Grunde könnten Sie auf der Seite mit dem Link gehen, die wir in dieser Zuschreibung zu bieten. Es wird sicherlich nicht so komplex sein für Sie. Es wird sicherlich viel einfacher zu bekommen sein.
Pressestimmen
“A highly original work . . . that will stand out as the most thorough exploration of Santería music performance, both religious and theatrical.”—Raul Fernández, University of California, Irvine
Synopsis
Hagedorn (music, Pomona College) considers the cultural and spiritual power of Afro-Cuban Santerfa, and the process of its secularization. Focusing on the connections between sacred performances and theatrical dramatizations, she argues that constructions of race and gender, Cuban politics, tourist economics, and the contemporary practices of the S
Alle Produktbeschreibungen
Produktinformation
Taschenbuch: 312 Seiten
Verlag: Smithsonian Books; Auflage: Pap/Com (17. August 2001)
Sprache: Englisch
ISBN-10: 1560989475
ISBN-13: 978-1560989479
Größe und/oder Gewicht:
15,2 x 1,6 x 22,8 cm
Durchschnittliche Kundenbewertung:
Schreiben Sie die erste Bewertung
Amazon Bestseller-Rang:
Nr. 577.617 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
I read as much as I can about the religion of Lucumi/santeria because I believe it has much to offer. Its music is deeply healing, and the understanding of what the orishas can do for their children in this world is comforting. I am also an "omo añá" (a drummer who is initiated to play for rituals). I have been to Havana five times. I bought this book expecting to learn something about the music and Cuban people. However, I am afraid the title of this book may mislead people into buying it for its information. This book by Katherine J Hagedorn is not a book about the religion. It is a way for her to drop names of musicians she knows and friends of hers--and present her own views of the way these people perceive their religion. I was upset by the book because I am afraid that people may be misled into thinking the book is valuable when in fact it is just about Hagedorn. If you want to know more about this author and her strange ways of incorporating someone else's religion into her academic career, buy this book. If you want to learn about the religion and the Cubans who practice the religion of their ancestors, buy a book by Raul Canizares or Joseph M. Murphy. If you want to know about the music, it is more instructive to buy Robin Moore's book "Nationalizing Blackness"--you will learn more about the history and people without wasting your time with someone trying to impress you with her name-dropping. The publisher should release the CD without the book, because the CD is the only valuable part. The musicians are playing the music with a lot of "bomba" (heart) and it's too bad this author doesn't discuss the music in any context except to talk about herself.
It is hard to express how disappointed I was with Divine Utterances. To reiterate a previous review: lets hope that this is not the future of ethnography. The personal slant to the writing, along with seemingly pointless flowering and embellishing was quite embarassing to read. Hagedorn comes off as being very self-centered. I read this is in a seminar, and unfortunately, all anyone wanted to speak on was the confusing writing style. The content of the book was lost in the presentation. I would not recommend this book to anyone wanting to learn about Santeria or Afro-Cuban culture. I would perhaps recommend it if you are studying folkorization, or performance and wanted a supplementary reference.
Review of"Divine Utterances: The Transformation ofMemory in Afro-Cuban PerformanceThis is an exceptionally well-researched and well-argued monograph. The author examines the complex relationship between the ritual ceremonies, rhythms, and possession performances of the Afro-Cuban SanterÃa religion and the theatrical performance of SanterÃa ceremonies, music, and possession by way of the state sponsored Conjunto Folklorico Nacional and other theatrical troupes..The book is a highly original work in which the authors visit a "busy intersection" where the webs that both unite and separate "authentic" sacred performance and theatrical representations of SanterÃa are dissected against the background of two other dualities: the centuries long dialectic between race relations and Afro-Cuban religious practice in the island, and the seemingly antithetical policy of an officially religion-unfriendly socialist government that relies on the SanterÃa religion as a means to attract capitalist tourist dollars to the island. Hagedorn's book constitutes an in-depth study of the Santeria religion. At the same times it presents an analysis of how two types of performances, one grounded on everyday religious practice, the other a theatrical representation of those religious practices, are connected, disconnected, and mutually inform each other.As the author describes, this situation gives rise to a wide variety of paradoxical occurrences. For example, while one would assume the theatrical, non-sacred, representations of SanterÃa themes would be the locus and focus of tourist interest, it turns out that tourists appear to be just, or even more interested, in watching and participating in genuine, non-theatrical, Santeria rituals. On the other hand, while the theatrical representations are not supposed to be "real," sometimes local Santeria believers in attendance at stylized performances geared to tourists become possessed by the deities of Santeria, much as they might have in a genuine ritual.Distinguishing everyday popular Santeria drumming and dancing from stylized theatrical presentations of it, is not a simple matter. More often than not the musicians, dancers and other participants in the Folklorico shows are themselves leading active believers and musicians of the Santeria religion. Religious practicioners take an active role in the construction of the theatrical presentations which are supposed to be as "real" as possible. In this sense the Cuban Folklorico differs from other similar ensembles (e.g. Mexico's famed Conjunto Folklorico) in which there is little, if any connection between troupe members and traditional practitioners of various cultures represented dances and rituals.One of the most impressive aspects of this book is the way in which the author presents her findings. The manuscript is written in a way that allows the reader to accompany the author in the voyage of discovery. Rather than presenting us with the "data" obtained in painstaking field work, we follow her as the data is obtained, observe her initial situation as an outsider looking in, and are witnesses to her slow becoming of an insider.The book is accompanied by a CD which is very much part of the story. The music in the accompanying CD is compelling and carefully selected to illustrate points made in the text. There are also numerous photographs that cover the main themes, persons, venues and instruments discussed in the manuscript. Each chapter is framed by short personal narratives which the author uses to communicate relevant information about Santeria religious practices and the author's own relation to them. On the whole the manuscript is an impressive production of the highest research as well as literary value, with excellent aural and visual aids.I believe this work will stand out as the most thorough exploration of Santeria music performance, both religious and theatrical, in academic literature. Studies in English do not have either the scope, i.e. brief essays by Duany, Mason and a few others; or the the depth, e.g. the otherwise excellent work by Cornelius, of Hagedorn's book. Her work essentially continues in terms of scope, detail and analytical value the foundational work done in Cuba before l950 by Fernando Ortiz and Rómulo Lachatañeré.
I have to say I bought this book for the CD only. That said, I have to issue two warnings - first, the Lukumi songs recorded to accompany the book are truly Cuban. If anyone listens to them thinking that they are hearing authentic Yoruba they must be cautioned - the pronunciation of the words are Spanish, not Yoruba. That is, the singers pronounce the words as if they were Spanish, without regard to Yoruba phonetics. Of course this is a product of the skewed memory brought on by the Middle Passage more than anything, but it can be confusing in and of itself, for those like myself looking for a quide to authenic Yoruba spiritual songs. What really flummoxes me is that there is no reference to the words/lyrics in the text. What sort of scholarly book about praise songs includes the music to the exclusion of the printed words to same? I mean, really...To help remedy this I bought "Orin Orisa" by John Mason ISBN 1-881244-02-4, which has words, but no music! When will scholars get it together and provide BOTH?I'm enjoying the CD for what it is, but the book? BAH!
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